Friday, 6 September 2013

Benin City - Fires In The Park

With so much new spoken word and hip hop on the scene at the moment it can sometimes be difficult to find something a little different, Benin City achieve this far better than ninety per cent of other acts at the moment with their debut album, Fires in the Park, a masterful piece of work from one of the finest writers working right now, Josh Idehen.

If you’ve read this blog before you’ll be aware of my love and passion for lesser known hip hop and spoken word artists, my adoration of Sage Francis and Scroobius Pip being particular recurring features over the past couple of months, Benin City will be my new obsession after hearing this sublime piece of work.

Opening with People Will Say, the track begins calmly with an instrumental piece making way for Idehen’s powerful vocal piece, an exuberant flurry of his ideas and inner thoughts performed with expert timing and grace throughout a particularly strong opener.

Next up is Faithless, seamlessly blended into from the opener. Already a fan favourite after its release the track screams attitude from the start mark with Idehen proclaiming “two fingers in the air”. Seemingly a track the band is singing in dedication to the people who said they couldn't make it.



Moving on we’re onto Wha Gwan, the song which actually say’s the album’s title in the lyrics within the lyrics, I've never known why but it always excites me when I hear it. This is a gorgeous sounding track with masterful flow and musicality exhibited by the band throughout, one of my highlights of the album.

Pencils follows with slower pace to the track preceding it with a far more urban tone, in essence this track portrays the swagger Idehen has a lead man, he’s got the confidence which still explaining to the listener that he’s no different to you, he’s not a mega rich Kanye West type which is refreshing to hear.

Beat heavy Winning Streak is up next, the band show that they’re on their way up and the confidence they have in what they’re doing and the dedication they have to getting to the top. This is a master class track and a shining moment on the album.

“No chilling ‘til we get top billing” Benin City – Winning Streak

Next up is a short reprisal track just taunting you ‘til you reach another stand out moment the album offers, Baby. The longest track on the album by quite a large margin this is the bands most artist moments, it’s a thing of true beauty showing off Idehen and the rest of the bands genius, a truly remarkable piece. The entire track is reaching levels then dropping down to nothing more than a spoken word piece, instrumental break points adding more and more gravity to the words Idehen uses.



This is London part 2 follows, opening with a spoken word piece by London poet Deanna Rodger; a sort of bitter sweet love letter to the capital city, dreams of hitting the big time while working within it and the sheer sprawling nature of the place and feeling ultimately insignificant while being there yet knowing without you it is nothing. Idehen blasts in just after the midway point offering his views, a love hate relationship that is all too identifiable to the city’s occupants.

A far more personal track follows, My Love examines how a person can interpret and use their own love, and it can be an amazing thing or something that can be used to the advantage of the person offering it to someone. The powerful instrumental piece which follows is perfectly matched to the lyricism, the whole song seems to be leading to the finally which reaches a tasteful climax.

The next track really shows off Idehen’s rapping skill, his flow throughout D.A.M’s opening should be praised as one of the best performances of the year. As ever the music compliments the vocals impeccably and producing something that builds onto the sheer quality we've seen throughout the entire album.
Only the Beginning sounds almost retrospective of the rest of the record while still sounding like they’re only just showing the tip of their creativity. A dark tone to previous tracks the song is a haunting piece showing another extreme of the bands potential.

Winning Streak gets a reprisal with an instrumental piece hyping the listening for the final track, So You Say. Closing this astounding album was never going to an easy feat but this track is a great way to go out. The instrumental and vocal harmony is as present as it’s been throughout the rest of the album with a cheery sound and repetitive lyrical style they end in style.


Overall this has to be one of the most enjoyable albums I've listened to all year; track to track the album folds into each other with such finesse it’s a pleasure to hear. With the passion shown by all aspects of this album show that the music produced from them in the future is going to be something very special, for now we've got what is very high in my favourite releases so far this year.